Afterthoughts on Forest of Secrets, and Its Biggest Mystery…

This is courtesy of dearest pal Al whose claim that Forest of Secrets (비밀의 숲/Secret Forest, or Stranger on Netflix) is on par or even better than Signal nudged one to succumb to temptation. Now that one has finished it (twice!), one should get these thoughts out of one’s system before one starts swinging axe to kill bug #29. Coherence be d@#n3d!

There is a scene in episode 14 that reminds one of a shot in Pacific Rim’s closing credits sequence. In a rather wierd way, it makes a handy shorthand for a summary of one’s impression of this drama. Forest of Secrets among kdramas is like Mr Del Torro’s Pacific Rim among Mr Bay’s Transformers films. And one agrees with the following sentiments: (0). Well-written and well-executed story; (1). Jo Seung-Woo and Bae Doo-Na take it to another level; (2). Those smiles! (3). More adventures of Hwang Shi-Mok and Han Yeo-Jin, please —they definitely can pilot a Jaeger together. Because this is one of those rare cases in which one actually digs the (non existent) romance in a non-romantic crime mystery thriller drama, indicated by the lack of need for palate cleanser afterwards (it’s Mitchellian rants and outbursts these days). In short, Forest of Secrets is a Kdrama done right.

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